我的原著手绘：安东尼神庙和福斯蒂纳，罗马。

庙宇内部并不开放与公众参观。从我的素描中也可以看到，此庙宇高出地面，庙前有一段台阶。
在中世纪时期，庙宇入口处与地面相连，是平坦的，这意味着整个考古场地已经充满了各时代毁灭的瓦砾废料，不需要任何楼梯。当时寺庙在地面。
但是考古工作进行后，从台阶顶部到大门六米之间出现有一个巨大的空隙，从而防止任何人进入庙宇，同时保护它免受人为破坏。
这些列柱是哥林多式的，精致而美丽，苗条。列柱达到17米高。

My Original Sketch: Temple of Antoninus and Faustina, Rome.

The interior of the temple is close to the public. As you can see from my sketch, the temple is raised above the ground and there is a flight of steps in front of the temple.
In the Medieval period, the entrance to the temple was flat, meaning that the whole archaeological ground had been filled with rubbles from ages of destruction, there was no need of any stairs. The temple was at ground level at that time.
But as archaeological work is being done, there is a now a huge gap of six meters from the top of the steps to the entrance door, thus preventing anyone to enter into the temple, and at the same time preserving it from human damages.
The columns are of the Corinthian order, with refined beauty and slim. They stand at 17 meters tall.