RAID

stretching a familiar corporate silhouette until it screams, you aren't just using an editing tool—you’re throwing a digital brick.

within my graphic design, when stripped of its marketing briefs and corporate sanitization, the work shares its DNA with the spray-can outlaws of the 1980s.... The pixels are just cleaner, the fumes are virtual, and the concrete wall is a bright 4K canvas...

...modern digital subverter does the exact same thing, but instead of train yards, they raid the iconography of late-stage capitalism...