Drawings of Juan Calzadilla

So we started the week full of doodles finally one, quiet week after 4 weeks full of stress and chaos. For many I actually I was already accustomed to the idea of not, counting on any service and everyone is working and in their respective activities. Daily I me on my part I continue in what I like the most, I contemplate nature and life just to wait a few months to undertake the flight. As expected, and little is missing but everything is for the good of all.

To this work, they continue to be the same in which they are hired, also by Guzmán: the battles of Carabobo, Boyacá, Junín and Ayacucho, the Treaty of Car and two allegories. The last three did not be made and the battle of Junín detached in 1891 of the roof of the elliptical hall. The battle of Carabobo is important for the difficulty that the appreciation work imposed by the elliptical form, as if the scene was seen by a len "" eye of fish ", and for the one to tovate, according to the shovel," conceived an extraordinarily moved composition, where the landscape does not count only as stage, but it has within the picture of its own value: unifies the action and imposes its anighty presence ".

Here in the final battle like everyone moves to his pawns, until he can give mate to all those bad players and Bath Dogs. As they do it else, I think it has very good that nickname, while others followed Victoria in Victoria until it is the objectives raised one to one on the path of the art of war, in the end one has to fall will win the most intelligence will have and many more, activities to improve his art as they did. These great progers of our nation in their best, so that continue to enjoy these art strategies.

In concluding his orders, Tovar and Tovad devoted himself to making landscapes of Caracas and Macuto, participated in the Homage Agenda to Francisco de Miranda in 1894 and remained painted in his house of the corner of the MadriS. He died on December 17, 1902, at the moment in which an international conflict was placed both the news and the Venezuelan coasts.

We continue with the sexious exhibition in which it has seemed to me, strange that it did not come out a spaches as always in all the networks one is one. But less evil that in not these platforms I do not put into it with these types of comments, for the moment because if they did not respond to the Den. I do not know of the rest of the rest. I do not like and leave comments I do not already burned, that stage before already if you may not be the boom again. It is rareo that it is not seen the fomo of emotion I would still do anything, anxious but all under control for the moments waiting for the new rally and in the process of accumulation.

Influenced by the Parisian fashions of Neochascism and romanticism, although they tempered by the color of Spanish teachers such as Vicente López and Federico de Madrazo, Tovar and Tovar was a trace of drove as safe as David. Obsessed with technical accuracy, he achieved a "happy adaptation of history painting as it was developed in the Napoleonic and postnapoleonic France to the Tropical Stage," according to Picon Salas. With Tovar and Tovar, he plays his influence of Spain in the Venezuelan pictorial tradition and begins the powerful ascending of French art.

Here is a pyramid where you can if you tomb to those below, they will fall to the top and will be all swoón like a stack. Every who has its pillars or its link should only lie down or give them on the nail, very explicit art and explanation to what we want to understand the author. I hope to continue having great artists, painters and sculptors. I recognized as we always had to continue to continue enjoying their works. Like many by these digital platforms, since the future is here that will be known to know much faster. Now to assess their talents so that they are rewarded.

He expressed mostly, until the beginning of the 20th century, in his academic slope. The works of the main Venezuelan teachers immediately after Martin Tovar and Tovy offer a faithful reflection of the academic imposed through the official rooms of Paris. They are Antonio Herrera Toro (1857-1914), Christophe Red Rojas (1858-1890) and, especially, Arturo Michelena (1863-1898), perhaps the greatest Venezuelan painter of the 19th century, despite his early disappearance at the age of 35 years.

Source

I already do this with my great article of the bibliography of Martín Tovar and Tovar. For everyone to enjoy it and know a little of his history and life of whom he was yes, since very little he knew of his life or story as well as his paintings. As I said before. Another should have been a collector of arts or antiques, I enjoy a world reading his history and every more museum with, each foreign or old article will come more every day. Like the sunsets, they will not end since the sun does not stop eating each other's like the moon shine.

All the photos were taken, by my phone and edited by Photoshop Express.