The Tolling of the Bell for Tinseltown
"Hypocrisy is the audacity to preach integrity from a den of corruption." - Wes Fesler
The Tolling of the Bell for Tinseltown
The hubris and hypocrisy on display in Hollywood has become a grotesque charade of political cuckoldry. The virtue-signaling useful idiots pontificating on the soap-box of their fleeting fame is the tolling of the bell for Tinseltown. The louder the hysterics that erupt from the foul-mouthed fanatics masquerading as morality's handmaidens, the more quickly they disassemble the illusory foundation of the entire entertainment industry. It is nothing less than a slow-motion celluloid suicide.
Actors are paid to embody fictional characters and perform fictional narratives. The greatest actors are mercurial and mysterious figures when not on screen. This enables people to enjoy their work because it facilitates the suspension of disbelief. When people paid to play pretend for a living publically trumpet divisive views in the most offensive way possible, they destroy the audience's ability to enjoy their fictional facades. The audience can't help but see through the illusion.
This is reflected in the sinking ticket sales for the box office, ebbing television ratings and plummeting award show viewership. Every day, more entertainers add themselves to the list of people whose coercive collectivist ideology and cultural Marxist turpitude have irrevocably ruined their entertainment value. It is nigh impossible to enjoy watching the most privileged people in society, who push mob violence, authoritarianism and unhinged grievance narratives, play dress-up for a living while claiming to be victims of the very intolerance they embody.
Divisive social "justice" shillery isn't Hollywood's only problem. Anyone not willfully blind can see that predatory parasites are widespread in Hollywood. Pedophilia and prostitution clubs, spirit cooking and black magic ceremonies, drug abuse and rampant degeneracy, all the result of distilled sociopathic narcissism run amok. If actors are symptomatic of the problem, their handlers are the disease. When Hollywood lauds convicted pedophiles with standing ovations, identifying complicity isn't difficult.
To round things off, the late night talk show hosts and "comedy" shows have abandoned any pretence of humor in favor of unrelenting political invective and scurrilously racist and sexist denigration of the silent majority. It is one thing to mock political figures for laughs, but reproaching and mocking the intelligence, beliefs and morality of paying customers while justifying hate speech against them is the asinine pinnacle of the pretentious idiocy that is identity politics.
Audiences want entertainment, not to be preached at by arrogant hypocrites relentlessly virtue-signaling the necessity of "resistance" and "sacrifice" while they protect the criminally corrupt and morally bankrupt parasites that populate their professional and social circles. How the crazed cesspool of cackling cucks ever decided it was a good idea to mercilessly mock half of their customer base while flaunting the authoritarian bias that motivates their actions will forever remain a mystery.
Unrepentant of its moral repugnancy, unapologetic for its violent authoritarianism, unashamed of its unabashed support for criminal pedophiles, Hollywood, its power brokers, sycophants and socialites are gleefully parading towards the gallows of financial ruin. Oblivious to the fading applause, drunk on its own sanctimonious approbation, Tinseltown pirouettes on the trap door of its own vanity as the increasingly disenchanted audience prepares to leave the theater.
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Shot with a golden arrow,
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tags: hollywood propaganda entertainment politics informationwar
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The problem with Hollywood, from our masters' perspective, is that their obvert ideologic position to subvert the dominant sociocultural matrix reduces the effectiveness of propaganda. When the target audience of the propaganda recognizes the artistic medium as the propaganda dissemination tool, the purpose of such production is mooted. The obtuseness of Soviet propaganda machine resulted in its marginal utility, forcing the Politburo to rely increasingly on political enforcement and welfare distribution to pacify its subjects. The CCP, having observed the failures of the Soviet system, have developed an impressive propaganda apparatus that not only directs their 1 billion drones, but also influences the Western mob.
The purpose of art, whether it be paintings, moving pictures, or journalism, has always been advancing the interests of the artists' sponsors. The humanist West, having indoctrinated its subjects in the illusion of "free" press, art for its own sake, "freedom" of speech, and "objective" journalism, masterfully manipulate public perception via dissemination of partial truths and vulgar appeal to emotional whims. The emphasis upon the external - speech, press, access to information - naturally atrophy the internal - critical evaluation, rational observation, self-discipline, principled thought. The use of meaningless and irrelevant "freedoms" to shackle their subjects in chains of atrophied self-development is the greatest administrative tool the humanists have devised.
That the clowns are subverting their own machinery may indictate either the Western public has atrophied to such a degree that even Soviet-style obtuseness is effective in herding the muck in certain direction, or the propaganda apparachik itself has degenerated because its effectiveness has convinced its own members of the b.s. it has been shilling. It may be that, in the future, the masters will rely increasingly upon enforcement and resource distribution to maintain their hold on power, as the propaganda apparatus becomes increasingly ineffective.
There is no doubt, in my opinion, that the West is experiencing a degenerative collapse induced by a dearth of hardship coupled with a rampant and narcissistic form of escapist hedonism. I often ponder if the fiat expansion wasn't designed to do promote the former while the entertainment industry advanced the latter to create maximum suffering when the total economic collapse is initiated.
Your observations on the flagging effectiveness of the propaganda industry is thought provoking. I would suspect the talking heads in the propaganda corporate news media are well aware they are oligarch lackeys shilling for their share of the 30 pieces of silver. The actors and entertainers however, for the most part, are very likely empty vessels devoid of any genuine intellectual utility who have based their lives and self-worth upon the approval of others; in this case accepting the corporate media cultists and "drinking the Kool-Aid".
It is likely that enforcement and redistribution will increase throughout the West, with the emphasis on enforcement. I suspect however that significant resources are being dedicated to rejuvenating the propaganda machine via social media and the tech tyrants. This rejuvenation may well focus on direct manipulation by creating collaborative mind-to-mind interface, the potential of which is horrific to say the least.
I recall a Black Mirror episode, "Men against fire," in which the near-future soldiers are implanted with a mind-machine interface that allows them to be highly efficient in coordinated military maneuvers. The MMI also allows the controllers to enhance certain information stimulus, as well as dramatically altering their perceptual matrix. I wonder if MMI will become as ubiquitous and normalized as individuals communicating primarily via texting. MMI will allow our masters to control public perception with a flick of a switch, but then again, they already have such power via social media platforms. Information polarization and targeted dissemination already allows for unprecedented control of the masses, who willingly partake in propaganda, even in so far as paying for the privilege of being programmed by their masters.
Highly rEsteemed!
Hollywood's got some interesting "Agents."
https://steemit.com/whoisfrankbacon/@frankbacon/emergency-rawinformationwar-not-banned-from-the-internet-because-we-use-steemit-asshats-or-frank-bacon
I see the first video in the post you linked has been taken down. What was it, got an alternative link? Funny to see a Hollywood flunky attack a free speech platform that can't be censored - why am I not surprised? The financial aspect of Steemit is nice, but its real value is that posts can't be deleted once they hit the blockchain.
I so enjoy finding people who have a vocabulary. It's such a rarity today when most seem to just throw around a few "talking points" such as: Nazi, triggered, oppressed, outraged....
Hollyweird needs me (and people like me) more than I need them.
Instead of watching movies I tend to read books.
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