Within the Primordial Morn
Within the Primordial Morn
....................---original poetry by @d-pend---
..........
featuring the art of ryky
Man's sure piscine
or else salubrious morn,
whether gazed from binocular
or plainly sans adornment swells.
Ridged with the gradual oceanity
of aetheric tendrils of blue flame
mingled with salamandrous ions
over the verdant mount,
morning—sorcerous with glory
beheld upon the light-laden globe.
Leaves the color of life defy gravity;
molten with tight-twining perceptions
the planets-in-planets ever-eclipsed
spawn myriad hues of true-truth—
smoothly waving mirages
that speak their silence and song.
Into bled aqua spirals,
the cerulean forest of tongues:
which ululate to the moon-pulse,
which scream with air-blissed lungs.
That hymn the bark into motion,
set upon troughs of glass—
which glisten with burgundy smoke,
allowing the flocks to amass.
Of dun and bright-sylphing gulls
emitting their cries of joy.
Salute the salubrious morn!
despite his much-mournèd ploy.
Poetry by
@d-pend
8/1/18
.
Art by
ryky
.1 (and 5) — "Joy"
2 — "Unexplored World"
3 — "Mystical Forest"
4 — "Horizon"
Note/Exercise
This poem was written in conjunction with the four images above. Certain stanzas correspond directly to specific images. Can you guess which bits of writing match with each picture? I will leave the answer in a comment on this post in a few days. If your guess is close or I think it's interesting, I'll give your comment a nice upvote. Thanks for visiting my blog and supporting my work with your time, attention and votes. It is always much appreciated, even when life's circumstances do not allow me to say so as profoundly as I might wish.
What a good poem has resulted from inspiration are these images, full of charm and suggestive evocations, @ d-pend.
Making an order that concatenates the writing with the image, I would say that the first stanza fits the initial image:
The second stanza goes with the third image:
The third stanza goes with the second image:
The fourth stanza corresponds to the third image:
The fifth stanza is reflected in the last image that is the repetition of the initial:
The sixth stanza agrees with the fourth image:
What a good exercise he has left us, thanks for taking us out of the comfort zone by reading and create challenges for us.
Great poem, @d-pend. A lot to say (I'll come back for more). Our glorious planet's morning is a sight to see, either with our eyes or with the help of technology and despite all the negativity hosted in this blue planet, our dear pool, we can't help but be thankful for such a wondrous marvel.
As for the images. I think that the second stanza goes hand-in-hand with the first image (which is repeated last, right?).
The third stanza speaks about the second image.
The fourth stanza is depicted in the fourth image.
The fifth stanza seems to be also illustrated in the 2nd image
The last stanza appears to me to be represented by the 3rd image.
the first verse is about the first image as if it were a magician observing the landscape to his arrededor full of life and color.
the second verse is the fourth image of is a ship that tries to get out of adversity despite the strong wave these for me has a meaning that despite the problem there is always a ray of light at the end of the tunnel that we can go out to the clarity.
the third verse can be of the second image as the third image since both reflect an eclipse, the difference is that one is of sun and the other is of moon.
Here I would be F in my test since the image is very beautiful but I have another meaning for that images.
The first and second strophe refer to the immensity of the ocean seen from the mountains and the fish it provides.
The third verse refers to the unexplored world, the galactic constellations seen from the simplicity of the eyes. The fourth and the fifth stanza refer to the mystic forest under the ocean, the hot bubbles that come from the bottom of the sea. And the last stanza refers to the horzonte, the flight of the seagulls.
@d-pend,
Well, in consultation with my Hittite/English Dictionary, new and abridged (the same edition D-Pend uses), this is a description of St. Elmo's Fire and therefore, the fourth picture.
The potential hole in this otherwise airtight theory, of course, is the word, "salamandrous" ... lizard-like ... which would make little sense in the context of the mast of a sailing ship. But that's if you take the word literally.
But we're talking about D-Pend here. When the Hell is anything ever literal ... including his use of the word, "literal?" Could not "salamandrous" be synonymous with "multi-colored?" Or, perhaps, D-Pend used it because of it's striking similarity to the Hittite word for "glowing"... "klarplatumicoa."
Quill
hello @ d-pend in my opinion the set of images according to your poem is the following the first stanza defines the forest shining giving morning start the second redundant to the sorcerer giving its ethereal magic to the day come the third without a doubt the wave redundant with the ship at sunset passing through the adversities of day to day and the end of the decline of the daily struggle we all have in this coming and going that is to live thanks for your post and I hope to have hit at least 2 hehe
hey, Daniel!
how r you? Hope, fine!
I'm sure you're fine if you write so great poetry, as always;)
A great idea with pictures!
I'll try too!
The 1st stanza - the 1 st pic
the 2nd - the 3nd pic
the 3rd and the 4th ones - the 4th pic
the 5th stanza - the 2nd pic
the 6th - the 2nd pic
Am I right?))
@d-pend Escelente, wonderful poem friend, the images are imprecise each one transmits a special message, is beautiful and very careful each line, is perfect and loves, your subtle words are like honey for the heart, thank you for transmitting us so beautiful feelings, beautiful day for you dear friend poet and romantic friend who falls in love with each line that writes