Cyclical street frequency

My thoughts about creative waves and genre frequencies smoothly flow into thoughts about whether I need space now or is it better to stay on the reportage material frequency?

The cosmic (hypersensitive underground) wave is accessible to very few people.

Check out all the posts about the dugouts! What's interesting there? And there is the strongest code of memories! You look at any photo and it's like the wind blows away from emotions...But it's for me...and those who are somewhere nearby, close to this frequency.

And what about the street? It's kind of generic, but weak. A lot more people understand it, but the code of its impact on the viewer is slightly weaker.

I still wonder: what if I shoot the street in such a state, as if I were among the dugouts?

There was once such a feeling and I wrote a lot about it...in the fall of 2020. I was shooting a street in space.

This was, roughly speaking, my first conscious cosmic street.

...And now it has turned into a game of spots and geometry.

So it turns out that I can shoot straight in a cosmic state!

It seems to me that I have already made such a similar conclusion somewhere, but it was about night yards!

It doesn't matter what genre wave I'm on (although it's important), the main thing is what I feel from the space and what my mood is.

I capture myself, my portrait first of all.

And if my feelings, my inner state is strong, emotional or very inspired, then it will be reflected in any picture of any genre!

Here we go again.. I came to a conclusion two years ago, but in a different way. Cyclical?