Flower photo essay

I haven't been going anywhere for two months now, I haven't captured night yards with dugouts. When I was on the creative wave of vegetable stores and night yards, I completely forgot about the city. And after switching to urban photography genres, it was as if I eagerly began to remember and re-go through all those places where I had not been for a very long time.

When you are on a different frequency, where completely different subjects are perceived, the city seems somehow alien, as if I were a guest in it.

But in the wake of street photography, where the city is the main story medium, it feels like the whole city is mine, like I'm a part of it.

And if, being on a city frequency, you go somewhere to an unfamiliar place for new sensations, then at first it will be uncomfortable and scary.

But if you connect to this wave of exploring new places, you will also get the feeling that I belong here.

And with this, we can conclude that if there is no pleasure or uncomfortable feeling when taking photos, then you are on some other frequency...You need to catch a wave.

Although the reportage wave is universal, it is impossible to catch a vibe among the night yards.

On the reportage wave among the night yards, you begin to pay attention to people, to some features of the yards: tire art, graffiti, flowers, bushes, reflections....in general, to notice something that sets this yard apart from others.

Sometimes the reportage wave is annoying.

I want to relax and pay attention only to my inner feelings.

But reportage makes the brain work, invent something, look for it...but I just want to disappear into some kind of space.

I want to go back to space! It's super-sensitive there, but at least I live.