A Conceptual Artist's Concept of Creating Provenance

There are multiple instances of other image uses that fit a color-field test of authenticity. They are all equally from the application of a rare process, patented, and unused except for producing works to later be available to be a recognition for its use as the concept-enabling mechanism that made them. The samples of production runs shown in memes here are being used in the first recombination of its creations because they were the largest distribution of all the production done from this process.
The process was only applied during the decade of the 1990's and these were only produced between mid-July and early October in 1994 for a license given to use the logo for a souvenir of the Woodstock Festival's 25th anniversary event. That complete story is in control document #4 found on http://www.greatknot.com/4.html.
Artificial Intelligence technology reaching today's level of Deep Learning, and the Woodstock festival reaching a 50th anniversary, at the same time, is a coincidence that plays a large part in control document #2's narrative for the current plan: http://www.greatknot.com/2.html. But that is just a suggestion of what a conceptual art can create from this, given the time. The recombination and sorting out of these tens of thousands of “two dove” tags may take another twenty-five years, and it is a relative certainty that they will have built a whole different kind of proxy use and meaning by the time they reach that anniversary, so laying out the details of what it means to this present moment of transition is the essence of what the art is right now.
The meaning and purpose of the conceptual art is now being put to the test for the first time. That test is dependent wholly on the Internet's capacity to supply innumerable images to the needs of centralized media, for verify identity. The differences found in visually identical images, when each is documented as a mutable version of a visually recognized unique original, needs an intersession from digitization to become recombined with all the other aspects of this expression to complete this conceptual artwork. The gathering point for this right now is https://www.facebook.com/greatknot.
As this completion of the conceptual art by testing its meaning is to be realized by crowd sourcing tens of thousands that are all related in their ownership of something identifiable visually, this is a campaign for gathering digital samples so a digital presence can be discovered on the Internet where machine learning can recognize their generative procession automatically and relegate this to an order of provenance for it to resolve a question of their individual origins. Technology is being assigned the challenge of identifying 150 different five to eight color pattern deposits each with up to 700 mutable changes that progress as the color migrates during its application to an area of two square inches.
In this state of technology transition, each of the tags is sampled as a fragment of the conceptual art's plan to influence its biases toward art. The miniature print produced as an epoxy paste impression on metal twenty-five years ago has an owner that takes a 2,000 ppi resolution digital closeup of this two square inch object to make it into information recognized by Deep Learning identification processes in the Internet. As more and more of these 55,000 instances become digitally sampled, the conceptual art normalizes a response to the pattern edges in their color-field compositions that characterize these 25th anniversary Woodstock logo tags. As this happens the concept is that they all become related together as migrations of colors that Deep Learning has associated with an order formed by a sequence of manufacture, and that identifies this with actual things, not just arithmetical calculations.
The meaning in this art is that it is recognized as a concept identifiable as visual art discovered by Deep Learning. From the earliest realizations of this as a goal it has been clear that it would remain purely conceptual until the world had a need for this meaning. Having produced a technology that could “sense” visual art only by its meaning the world is now ready for more.