A Conceptual Artist's Concept of Creating Provenance, Part 5

in #art5 years ago

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My routine has been to put one post on Steemit for every time there are 4 tag designs made into memes that have been put up on Twitter. I use their image addresses from Steemit to then put these images as tag comparisons into a child site of my FB profile page.
These “is one yours?” tag memes have passed the 100 mark, which leaves less than 50 to go... so there are nearly a baker's dozen of these compositions left to put up. After this, what has gone into these writings on the properties of the Woodstock'94 tags will find their way into a “Control Document” and that will then be the access used to their meaning in the recruiting process, which begins with the submission of the comparisons to these 150 exhibits.
The tweets will continue to keep the concept current as a live RSS feed to the Control documents. This recent one, that can be seen in the http://www.greatknot.com/2.html, had retweets from its connection to Artificial Intelligence that pushed it near the 1000 view mark:
“#cryptoknot first needs to recombine the pieces of a unique concept that distributed thousands of different images 25 years ago in a space that attracts the attention of #DeepLearning in this early stage of #AI building recognition channels to have one that fits human creativity.”
Today's tweet is:
“The links in a collection of posts the hashtag #cryptoknot leads to make it a single entry point to a full range of concepts built on the thought that #DeepLearning contemplates evidence of change in forming a literacy for #AI based on knowing the true provenance of everything.”
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