Digital Process # 4 Drawing Erika ♥ #SteemArt #Digital #Draw

I start with a simple blue Lineart to know where each color will go.

Here you can see how it progresses a bit more in the blurring of the face and neck defining the edges lights and shadows, remember that when drawing by realism the lines should not exist since in nature this is not seen therefore the limits they are defined by the game between lights and shadows in a synchronized way.

Add more details and to better observe the progress of the face decided to put the color of the lenses to place the shadows that it projects in their respective places.

Using a layer other than that of the face, I start to define the place where the eyes go, a layer for the white part of the eye, another layer for the iris, and above these, one more for the pupil, since the color and shape of the eye have been defined. layer more to place the brightness and reflections that gives the finished eye.

Here I leave a mini process within the general process where you can see the steps I took to draw and paint the lips, starting with a new layer where I place the solid colored spots and shadows obtained by darkening or lightening the base color or the average color .

The next step is to blur these specks to give more realism

I finish by giving more details and mixing the mouth with the skin tones so that it does not look like the mouth is simply placed over the mouth, if it is not part of the face.

Here I started with the hair I wanted to draw it in another color but decided in the end to do it as close to the original, use colored specks this time faded at their ends to give more hair effect since the shades of it vary a lot and a solid speck or faded does not give the effect.

With these defined areas of color I begin to decrease the size of the brush to give the feeling of tufts until I change the brush for one of multiple points that gives the effect of making a lock in a single stroke and gives the sensation of individual hair.

Here you can see on the right hand side how the strokes were made with a brush that was smudged on the smaller edges and then give the final touch with the brush of multiple points for the hair.

Here you can notice what I mention to you of the individual hair not only drawing in the colored areas but also outside of them to give the sensation of mobility since the hair is not something that is static.

The shirt was a part with which I was very satisfied with the result using the same technique as always defined each zone of shade and color of the clothes.

To then define with a finer brush and with more details the edges and limits of the fabric giving more realism to the clothes and their folds.