Amigos de Steemit en homenaje a el cantautor Silvio Rodriguez no hay palabras más exactas que la de Mario benedetti que a continuación leerán con respecto a la vida artistica de Silvio
Por muchas razones, y hasta sinrazones, Silvio Rodríguez es un cantante fuera de serie. Cofundador, con Pablo Milanés, Noel Nicola, Vicente Feliú, Eduardo Ramos, Sergio Vitier (y aunque nadie sabe quien la bautizó así) de la Nueva Trova, ha aportado su indudable prestigio a un movimiento que revitalizó la canción cubana y la catapultó al plano internacional. No obstante, aun dentro de un núcleo tan fermental, con el que siempre se sintió plenamente identificado, Silvio es de un talante inconfundible.
Curiosamente, su voz no es cálida ni grave ni particularmente seductora, sino más bien aguda, de un timbre casi metálico y sin embargo frágil. Al escucharlo, uno llega a temer que en cualquier momento se le quiebre, y ese riesgo (que en su caso no es deliberadamente buscado sino que más bien lo asume como algo irremediable) también forma parte de su extraño atractivo. Con características que en cualquier otro cantante serían anticarismáticas, Silvio funda precisamente su carisma. Quizá el secreto resida en que siempre transmite una gran sinceridad, una honestidad a toda prueba, un no aparentar lo que no es, y, en estos tiempos de famas prefabricadas, de engendros de la machacona y mixtificadora publicidad, esa actitud, a la que el público accede sin intermediarios, significa una bocanada de aire fresco en un ámbito, como el del espectáculo, por lo común tan especulativo como artificial.
Salvo en casos excepcionales, Silvio es un autor de la letray la música de sus canciones. Como en los ejemplos de Pablo Milanés, Chico Buarque, Viglietti, Serrat, Aute y no muchos más, esa doble autoría otorga a sus producciones una unidad esencial. Sean o no el resultado de un desarrollo paralelo, letra y música aparecen como gemelas (jimaguas, dirían en Cuba), copartícipes en el acto de parición. Fundamentalmente las letras de Silvio, sobre todo las que crea a partir de una duramente adquirida madurez, tienen un nivel textual tan afortunado que (algo no demasiado frecuente en los cantores populares) conservan su validez poética aun sin el básico soporte de la música. Alguna vez he sostenido, su trayectoria posterior corrobora mi diagnóstico marginal y profano, que Silvio es un poeta que canta, y más aún: que es uno de los poetas más talentosos de su generación.
Mario Benedetti
Friends of Steemit in homage to the singer-songwriter Silvio Rodriguez there are no words more accurate than Mario Benedetti that will read below with respect to the artistic life of Silvio
For many reasons, and even unreasonable, Silvio Rodríguez is an outstanding singer. Co-founder, with Pablo Milanés, Noel Nicola, Vicente Feliú, Eduardo Ramos, Sergio Vitier (and although nobody knows who named it) of the Nueva Trova, he has contributed his undoubted prestige to a movement that revitalized the Cuban song and catapulted it to the plane international. However, even within such a fermental core, with which he always felt fully identified, Silvio is of an unmistakable disposition.
Curiously, his voice is not warm or serious nor particularly seductive, but rather acute, of an almost metallic and yet fragile timbre. Upon hearing it, one comes to fear that at any moment it will break, and that risk (which in its case is not deliberately sought but rather assumed as something irremediable) is also part of its strange appeal. With characteristics that in any other singer would be anti-charismatic, Silvio founds precisely his charisma. Perhaps the secret lies in the fact that it always transmits a great sincerity, an honesty that is completely proof, a failure to pretend what it is not, and, in these times of prefabricated fame, of spawns of the machacona and mystifying publicity, that attitude, to which the public access without intermediaries, means a breath of fresh air in a field, such as the show, usually as speculative as artificial.
Except in exceptional cases, Silvio is an author of the lyrics and music of his songs. As in the examples of Pablo Milanés, Chico Buarque, Viglietti, Serrat, Aute and not many others, this double authorship gives his productions an essential unity. Whether or not the result of a parallel development, lyrics and music appear as twins (jimaguas, they would say in Cuba), co-participants in the act of calving. Fundamentally the letters of Silvio, especially those that he creates from a hard-won maturity, have a textual level so lucky that (something not too frequent in the popular singers) they conserve their poetic validity even without the basic support of the music. I have once held, his later career corroborates my marginal and profane diagnosis, that Silvio is a poet who sings, and even more so: that he is one of the most talented poets of his generation.
Mario Benedetti
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Thansk friends, muchas gracias amigos, un abrazo para todos...
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Gracias amigo, ya paso por tu post.
Great. You know i would have love to play guitar but it is always difficult for me
Si amigo, la guitarra es hermosa y por ende difícil, eres guitarrista tambien verdad?
Maravilloso post!!! bella presentación e información. felicitaciones @davidcentenor.
Gracias hermano por el apoyo, un abrazo.
You are just awesome man... Your music is always on point. I will tell you something...
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STOPHello @davidcentenor, thank you for sharing this creative work! We just stopped by to say that you've been upvoted by the @creativecrypto magazine. The Creative Crypto is all about art on the blockchain and learning from creatives like you. Looking forward to crossing paths again soon. Steem on!
Thansk friends...
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