The Mona Lisa by Leonardo Da Vinci

Representation of Mona Lisa, otherwise called La Gioconda, the spouse of Francesco del Giocondo; This depiction is painted as oil on wood. The first painting size is77 x 53 cm (30 x 20 7/8 in) and is claimed by the Government of France and is on the divider in the Louver in Paris, France.
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This figure of a lady, wearing the Florentine design of her day and situated in a visionary, rocky scene, is an amazing occurrence of Leonardo's sfumato method of delicate, vigorously shaded displaying. The Mona Lisa's mysterious articulation, which appears to be both charming and unapproachable, has given the picture general popularity.

The Mona Lisa's celebrated grin speaks to the sitter similarly that the juniper branches speak to Ginevra Benci and the ermine speaks to Cecilia Gallerani in their pictures, in Washington and Krakow separately. It is a visual portrayal of the possibility of joy recommended by "gioconda" in Italian. Leonardo made this thought of satisfaction the focal theme of the representation: it is this thought which makes the work such a perfect. The idea of the scene likewise assumes a job. The center separation, on indistinguishable level from the sitter's chest, is in warm hues. Men live in this space: there is a winding street and a scaffold. This space speaks to the change between the space of the sitter and the far separation, where the scene turns into a wild and uninhabited space of rocks and water which stretches to the skyline, which Leonardo has shrewdly drawn at the level of the sitter's eyes.